Geliefd en gevreesd. Duits toneel in Nederland rond 1800
PhD ceremony: Ms. K.E. Groot, 16.00 uur, Academiegebouw (senaatskamer), Broerstraat 5, Groningen
Thesis: Geliefd en gevreesd. Duits toneel in Nederland rond 1800
Promotor(s): prof. B.A.M. Ramakers
Faculty: Arts
Around 1800, the Dutch theatre world was flooded with translations from the German. Not the authors considered to be canonical - Lessing, Goethe and Schiller - but the so-called trivial authors conquered the Republic, as they had earlier conquered the German lands themselves. Especially Kotzebue caused a hype. This import was immensely popular with the public. But theatre critics were less pleased. The main question of Groot’s study is: wherein lay the attraction of this German theatre for the Dutch public and why did it cause such upheaval.
These questions are both relevant to theatre history and to the broader framework of research into the Dutch Enlightenment. Therefore general cultural journals, theatre journals, translations and prefaces, adaptations and parodies were investigated. Thus, a large part of the picture is determined by critics’ statements. To do as much justice as possible to the voice of the public, information on the repertory of the Amsterdam Theatre and several amateur ensembles was also explored. Both in the German and in the Dutch theatre discourse, the development of the German theatre was divided into phases. For the first transition between these, from French Neoclassicist drama to domestic drama, the continuity was stressed, whereas the second transition, towards the romantic drama, was represented as a clean break. This experience of break was primarily inspired by the abandoning of the formal unities.
The second part of Groot’s study treats subject matter (the role of the women, politics, religion and shows that the German plays were easily adapted to the Dutch social debate. An important issue was the matter of the (in)decency of the German plays. In short, through the German theatre, both the Enlightenment and the glorification of national character were furthered.
Last modified: | 13 March 2020 01.16 a.m. |
More news
-
26 September 2024
Defne Abur brings innovative speech research to the YAG
Defne Abur, assistant professor of Speech and Speech Technology, has joined the Young Academy Groningen (YAG). With a unique interdisciplinary background and a commitment to societal inclusion, she is set to make significant contributions,...
-
02 September 2024
Preserving the web for researchers of the future
How do you archive the internet? What are you going to keep and what are you not going to keep? And who decides this? These are questions that Susan Aasman thinks about on a daily basis. The media historian and Professor of Digital Humanities at...
-
02 September 2024
Come to the Arts Festival for science, stories, music, and more
On Saturday, September 21, the Faculty of Arts at the University of Groningen will host the Literature Festival, a scientific event for anyone interested in the diverse world of the humanities. The Harmonie Building and the surrounding squares will...